![]() ![]() Obsidian is already soft enough to knap readily, and has to be treated like a lady (however, she can sometimes be a nasty bitch!). though tends to prefer English or medieval French 2. #MEDIEVAL OBSIDIAN SCALPEL MAKE GENERATOR#You'll just end up with a very brittle tempered glass. Make this voice changer so convenient to use This Stephen Hawking voice generator uses the. Most flints, cherts and novaculite need cooking to tame them, but you don't want to cook obsidian. Here's a link to a small tutorial on my web site describing the process in more detail: Otherwise you can sit there for ten minutes trying to find where you left off. Oh yes, don't lose your place as you're working around the ribbons. Once all of that is done, I use a piece of maroon ScotchBrite pad in a mandrel in my Foredom to clean the overburn/scorching from the ribbons, being careful not to take too much off or the dark color in the burned areas will disappear. This leaves the edges of the ribbons with a nice smooth edge. With either the small or the large dimples, I only burn away one side of the line. That makes much larger dimples, almost like a hammered iron effect. For the larger obsidian knife, I just used a regular tip that is like a bent thick wire. ![]() For the little knife, I used a tip I altered so there is a little tiny point on it for tiny dimples. ![]() There's a little madness to my method here, since the paper keeps the interior of the ribbons from scorching. I use a small knife edged burner to outline the knots, burning right through the paper. Then I glue the finished pattern onto the wood with rubber cement (so I can get it off later). The basic process I use for the pyrography is this: scan the knife handle into the computer, and use printouts of that to develop the knotwork. ![]()
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